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The Rhythm of Painting and Writing


After writing on a regular basis for several months now I am noticing the same rhythm of creation that I have with my art work.  I am a much more practiced artist than I am a writer so painting does not have the arc of highs and lows that I am experiencing in writing.  Still the process of creation is similar from start to finish.

Inspiration:  An idea comes to you that seem so easy to articulate.  I am sure this will be a brilliant painting or blog.

Outline/ Study: This is the map of my idea.  This will be my rope to the original inspiration if I lose my way.

Writing/ Painting: The act of sitting down and working feels exhilarating and intimidating all at once.  How do you make an inspiration compelling and real?  With painting I usually begin with the largest shapes, and simple color values to see how the composition will work. With writing I begin with what I call word vomit - everything and anything goes down on the paper.   I will sift out the good stuff later.

Slog: The part I hate is when the work that had so much promise now seems like a muddled mess.  My brain starts going in different directions and I want to give up or start something new.  I usually walk away at this point knowing that space and time will give me a reality check.  On rare occasions the muse is kind and I avoid the slog altogether and skip to editing.

Return: When I look at the work with a fresh eye I am better able to judge its success.  Now I know if I should abandon ship or press forward.

Editing: When the main idea is fleshed out, editing becomes crucial.   In painting I take away anything that distracts from the visual story.  I look carefully at edges, choosing which are important and softening the rest.  More time is spent looking and thinking than actually painting.   In writing I sort and organize my thoughts and then go through each sentence to see if I can be more concise.  In both cases this means that a precious passage is often sacrificed.  While a paint stroke or a phrase may be pretty, if it distracts from the main message it goes out.   I continue to edit until the piece holds together as a clear representation of the original idea.

Release: This is where you call the piece finished.  It has usually fallen short of the original inspiration but I am satisfied that I have worked it to the best of my ability.  I review lessons that were learned which leads to new inspirations to follow.

Comments

2 Responses to The Rhythm of Painting and Writing

strong response to the onions, love, love the oranges/hints of green! thanks also for the aspect ratio numbers that will come in very handy.

Thanks, Mary Lou!
Onions are great to paint, the translucency and color is similar to skin.


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