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Day 15: 30 Watercolors in 30 Days - Hill Top


Day 15 - Halfway  Through!

Paper: Moleskin Watercolor Journal, Cold Press

Pigments: Windsor Newton 12 piece half pan set.

 

One of the reasons I wanted to do this challenge of painting a watercolor a day was to influence my other work.  I was in a rut and knew that learning a new medium would open up new possibilities in my approach to painting.  Yesterday, I was pleasantly surprised to see how watercolor has influenced my oils.

 

I was scheduled to paint an oil landscape from a photograph for the Shelby Fine Art Society.  The focus was on how to interpret a photograph to give it a fresh painterly feel.  I decided to do a watercolor sketch in the Moleskin Watercolor Journal as preparation for my demo.  It was a beautiful blue sky sunny winter day so I parked myself in front of a large window and happily painted this scene of a white farm house.  I changed the sky to blue with big fluffy clouds and tried to get the feeling of a cold day with a light snow cover on the ground. 

 

I was excited to paint in oils, since it was a few weeks since I had picked up my brushes.  I mixed my palette ahead of time.  I wanted the same bright lights and luminous shadows that I am getting in watercolor. I made the sunlit sides of the house the lightest value, then mixed my blue sky and shadows the same value but with different color ranges.   I also mixed a pile of orange and yellow the same value so I could "charge" the shadows with reflected light.  Charging is when you drop a different color into a wash and let them mix.  The hard part is to trust it and leave it alone before it dries.  I did the same in oil; I laid in the shadow color and when I added the warm tones I brushed them on top and did not go back and fool with them.  I like the freshness of the paint application.  I did not get a chance to finish during the demo but will work on it this weekend.  Here is the demo. 

 

What I learned.

Either the lights or the shadows should be strong in color. 

Choosing to make the shadows more colorful makes the painting a higher key

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